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FREIE VOLKSUNIVERSITÄT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit
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PART   XI
  102  
 
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC
     
         
 
Fundamentals of Modern Musicology


   
 
Only if the sci­ence of mu­sic con­cen­trates in es­sence on the sys­tem­atic ex­plo­ra­tion of our self-con­scious­ness – when it suc­ceeds in per­form­ing this re­search pro­gram with sci­en­tifi­cally-ob­jec­tively veri­fi­able suc­cess – only then will it truly unite with mu­sic and make the genu­ine knowl­edge of the ori­gin, es­sence, and goal of mu­sic uni­ver­sally avail­able.

 
Making the Genuine Understanding of Music Generally Accessible
 
 
In­deed, our self is na­ture-given, is in­born to man; but this does not mean auto­mati­cally that eve­ry­one has dis­cov­ered his self-aware­ness, this basis of the art of sound, and brought it to un­fold­ment within him­self.

 
Spiritual Awakening of the Music Creator
 
 
But also for the full use of our in­tel­lect, our feel­ing and un­der­stand­ing, as well as our in­ner sense of hear­ing, the de­vel­op­ment of our self-aware­ness is of fun­da­men­tal im­por­tance.
For it is our self-aware­ness, through which en­ergy and in­tel­li­gence flow to our in­ner or­gans of cog­ni­tion – the en­ergy and in­tel­li­gence that is needed to truly and au­then­ti­cally com­pre­hend the work of mu­sic.

 
The Significance of the Self-Awareness for Our Tools of Cognition
 
 
The state of deep sleep – as dif­fer­ent from the state of rest­ful alert­ness – is only an ex­pres­sion of the fact that our in­ner sense of hear­ing and our in­tel­lect are in­suf­fi­ciently nour­ished.
In such a case we are ab­so­lutely ill-pre­pared for au­then­tic mu­sic-lis­ten­ing – not to speak of mu­sic-cre­at­ing – from the very onset of our cog­niz­ing fac­ulty, since we are asleep at the very depth of mu­si­cal crea­tiv­ity.

 
Beyond Musical Creativity
 
 
There­fore, we can rec­og­nize the in­ner flow of natu­ral mu­si­cal-crea­tive un­fold­ment in pieces at best; our “mu­si­cal in­sights” can at best con­sist of sound­ing, finite frag­ments from the pe­riph­ery of an origi­nally com­plete mu­sic.

   
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

XI.
INDIRECT AND DIRECT
GAINING KNOWLEDGE
IN MUSIC

Ancient Truths in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of Cognition in the Process of Gaining
Knowledge in Music

Necessity of the
Neurophysiological
Integration

The Performance of the
Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of Conventional
Musical Education

Increase of Performance
of the Intellect in Music

The Eigenfunction of
the Intellect as the
True Musical Creator

The Journey to the Eternal Sources of Music

The Highest Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at the Origin of All
Creative Thinking

Purposeful Development
of Performance in the
Field of our
Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition