FREIE VOLKSUNIVERSITÄT
FREIE VOLKSUNIVERSITÄT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit
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PART   VII
  62  
 
ERRORS IN GAINING KNOWLEDGE IN MUSIC
     
         
 
The Level of Perfect Creativity
of the Absolute Tone-Substance


   
 
And we real­ize that, as the en­tire tree is there in the seed al­ready – with­out it hav­ing to prove it­self by the rela­tive proc­ess of growth – in the same man­ner, on the level of the har­mony, each mu­si­cal idea is there al­ready as the in­fi­nitely com­pres­sed full­ness of a mani­fold mu­si­cal com­po­si­tion. In­deed, we do not have to wait for the com­po­si­tion to grow – as sepa­rate from the idea: within even the small­est mu­si­cal idea the en­tire mu­si­cal work can be dis­cov­ered, and is com­pletely and per­fectly pre­sent there in in­fi­nite di­ver­sity.

 
The Fullness of a Manifold Composition in a Single Idea
 
 
  1. This is why, in the field of pure con­scious­ness, in the field of the ab­so­lu­te sound-sub­stance, we are given a com­pre­hen­sive an­swer si­mul­ta­ne­ously with the small­est de­tailed ques­tion;
  2. this is why, in the ab­so­lu­te mu­si­cal force-field of the har­mony – in the per­sonal field of our pure self-aware­ness – the com­plete ful­fil­ment of our de­sires is achieved auto­mati­cally with the very budding of the small­est de­sire, and
  3. this is why, in this pure field of mu­sic, with the ques­tion for some de­tail truth auto­mati­cally the com­plete truth is avail­able.

 
Complete Fulfilment of Desires and Complete knowledge of Truth as One
 
 
Thus, the re­al­ity of true mu­sic we find in the ab­so­lu­te mu­si­cal force-field of the har­mony as a per­fect world of our pure knowl­edge, and look­ing out into the rela­tive mu­si­cal de­vel­op­ments in the se­quence-spaces, in the motif-spaces, and in the mu­si­cal sound-space, we are sur­prised to find a sepa­ra­tion be­tween the ques­tion and the an­swer of truth.

 
The World of Pure Knowledge as the Absolute Musical Force-Field
 
 
We also no­tice there a dis­tinc­tion be­tween lower and higher ful­fil­ment, and we real­ize now that this lack of unity is com­pletely bound to this lim­ited, rela­tive form of crea­tion

   
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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UNIVERSAL
MUSIC THEORY 2

VII.
ERRORS IN GAINING
KNOWLEDGE IN MUSIC

The Fallacy in Gaining
Knowledge in Music

No Deduction in the
Absolute Musical
Force-Field of the Harmony

The Contradictory in
Gaining Knowledge
in Music

The Answer Being
Equivalent to the
Question in Music

The Level of Perfect
Creativity of the Absolute
Tone-Substance

The Unproved in
Gaining Knowledge
in Music

The Secret Rulers of
the Tonal Stars of Music

The Secret Ruler
of All Music

Knowing the Unreality
of the Outer Musical
Happening

The Belated

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition